When I began writing the novel that became Town & Country, I envisioned it as a sharp critique of urbanites moving into a trendy rural swing district. My goal was to expose the obliviousness of a group of wealthy gay men and their influence on local politics. However, six years later, it has evolved into a heartfelt political novel that chooses empathy over cynicism.
Reaching this version involved honest feedback from a trusted early reader about my authentic voice. I embraced the sincerity I had previously hidden, fearing it might seem overly idealistic. This shift prompted deep reflection on what I truly wanted my work to express.
Satire plays a clever role by distorting current politics in unexpected and humorous ways, helping readers see issues more clearly. Initially, I intended to frame Town & Country as satire—literature’s most playful and sharp genre—because the political situation seemed perfect for mockery. I also hoped satire would create a comfortable distance and a layer of smart skepticism between myself and the story.
"Satire slyly distorts the politics of the day in unexpected and amusing ways to somehow make us see them more clearly."
Instead, the novel embraces a more sincere and empathetic perspective, moving away from ridicule towards understanding.
The novel shifted from a satirical critique to an empathetic political story, reflecting the author’s journey toward sincerity and deeper connection with the subject.