In a year rich with screen adaptations of Stephen King’s work, Edgar Wright, director of The Running Man, discusses the themes of the dystopian thriller and its striking parallels with today’s reality. The story depicts a world where a government-controlled TV network placates the public through a violent gameshow.
“Welcome to America in 2025 when the best men don’t run for president. They run for their lives…”
This was the original tagline on the book jacket of King’s The Running Man, envisioning a grim future where survival replaces political ambition.
Although first published in 1982, King wrote the novella under the pseudonym Richard Bachman a decade earlier. It gained broader recognition in 1985 as part of The Bachman Books, a collection also containing Rage (1977), The Long Walk (1979), and Roadwork (1981).
In 1987, the story was loosely adapted into a film starring Arnold Schwarzenegger as the protagonist Ben Richards. This version retained the deadly gameshow concept but diverged significantly from the source material.
Despite Hollywood’s typical slow pace, Edgar Wright’s new, more faithful adaptation is being released in 2025 — the very year the novella imagined as a distant future. King reflects on how close reality has come to his fictional foresight since he wrote the story.
Stephen King’s The Running Man remains a powerful critique of media and society, proving that dystopian fiction can eerily anticipate real-world developments decades ahead.