Othello is missing the tragedy
Tom Morris's production starring David Harewood invites the audience to sympathize with the wrong character. Othello explores what happens to decent, moral people when pure evil disrupts their world. For the impact to be effective, the evil must be truly malevolent.
The production at the Theatre Royal Haymarket features David Harewood as Othello and Toby Jones as Iago. It is visually and technically impressive. Ti Green's set design includes twisting arches suspended above the stage and mesh screens projecting eerie visuals representing Othello’s inner turmoil. The pacing is sharp and slick, making the nearly three-hour runtime feel light and engaging, which is rare in Shakespearean performances.
Outstanding Performances and Impact
In entertainment terms, the play achieves brilliance. However, it falls short in portraying the depth of evil required for the tragedy. Toby Jones, widely beloved for his role in Mr Bates vs The Post Office, shines as Iago. His direct addresses to the audience, revealing his cruel intention to destroy lives for amusement, are captivating. The way he manipulates Othello into believing his wife Desdemona's infidelity and drives him to commit a horrific crime is compelling and entertaining to watch.
"Jones sparkles as Iago. His asides to the audience outlining his plan to ruin other people’s lives for the hell of it captivate and delight."
Despite the technical mastery and strong performances, the production seems to lack the full tragic weight that the concept of pure evil demands.
Author's summary
This adaptation dazzles with presentation and acting but misses the profound darkness that gives Othello its tragic power.