All Her Fault movie review & film summary (2025) | Roger Ebert

All Her Fault Movie Review & Film Summary (2025)

All Her Fault is a tense thriller that grips viewers like sudden sinkholes and the sharp twists of a snake pit. The story begins with Marissa (Sarah Snook) arriving at a playdate to pick up her son, Milo (Duke McCloud), only to find the host, Jenny (Dakota Fanning), unaware of Milo’s whereabouts.

Plot Overview

The tension escalates from that moment and keeps the audience guessing throughout. Adapted from Andrea Mara’s novel, the series opens strongly with the disappearance of Milo, setting an intense tone for the first of the eight episodes.

Every small mistake, accusation, and suspicion is vividly portrayed, compelling viewers to shout at the screen and question everyone’s true intentions. The main characters—including Marissa and her husband Peter (Jake Lacy), the other mothers, nannies (Kartiah Vergara, Sophia Lillis), relatives (Abby Elliott, Daniel Monks), and a business partner (Jay Ellis)—are all shrouded in ambiguity.

Character Dynamics and Storytelling

“You’re also meant to doubt every character’s motives: Marissa and her husband Peter, the other moms, the nannies, the family members, and the business partner. Everyone is draped in shadows, so we’re not sure who did what, but we’re sure they’ve all done something wrong.”

The narrative unfolds through flashbacks spanning up to ten years, weaving various story threads together. However, these glimpses often obscure as much as they reveal, creating a compelling cat-and-mouse experience for the viewer.

Summary

The series thrives on its psychological tension and unreliable narratives, making viewers question every action and motive as secrets gradually surface.

“From the second Milo goes missing, the first act of the eight-episode series will rile you up. It’s designed to do just that.”

Author’s summary: This thriller masterfully blends suspense and mystery, engaging viewers by keeping motives unclear and slowly unraveling a dark web of secrets.

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Roger Ebert Roger Ebert — 2025-11-05